An Awesome Arcade

I just returned from a trip to AwesomeCon in Washington D.C.! It’s my second time at the convention – the previous trip was in 2017. Since our game was still in development then, the theme for this past week’s marketing has been “blasts from the past.” I had a lot of fun with that and plan to do quite a bit more. It’s always shocking to see what the game looked like before it was ready for primetime…

I discovered the Pixel 3’s Portrait Mode at this con and I’m never going back…

AwesomeCon is a D.C. based comic convention held in the Walter E. Washinton Convention Center. As for the show itself, I’m very glad I went – mostly because the crew that invited us runs MAGFest’s Indie Videogame Showcase, and they footed the bill for space. It was very generous of them to invite us, and I always take the opportunity to do shows like that. It cuts down on the cost of showcasing tremendously. For this one, I only had to pay the cost of an AirBnB, gasoline, and tolls to D.C. from Hoboken.

Our setup, next to Crescendo.

The audience wasn’t there exclusively for games – in fact, many people playing the game had to suddenly leave in order to make it to some signing or another scheduled event. But for those that stayed and really toured the arcade area, I felt a real sense of admiration for the indies and their games. It was a good group of people! Many of them even purchased the game right in front of me. On Saturday morning, one woman literally bought it because I said there were no micro transactions in the game, and she said she wanted to support our team [^_^ ]!

The album of images from the Awesome Arcade can be found on Facebook right here. Enjoy them!

This kid wanted to play on the iPhone and the MacBook at the same time, LOL!

Costs vs. Rewards

It’s so hard to quantify whether or not these shows are “worth it,” but that’s what everybody always asks. Was it worth it? How many sales did you get? How much money did you make? Does that make sense given the 3 or 4 business days it took to do the show? Does that make sense given the money spent to get there?

I won’t try to quantify things like (1) meeting other indies (2) getting the game in front of people who don’t yet buy it, but still might (3) having a banner up that people see out of the corner of their eye, subconsciously reinforcing the product in their mind (4) doing the MIVS crew a solid by adding another game to their arcade (5) giving attendees a fun thing to do for a few minutes, etc. But what can you quantify?

Well I did something different this time, and actually counted the number of “plays” I witnessed while I was running the booth. I defined a play as “they sat down, played past the first 3 Levels, and I gave them the convention spiel.” Here’s the numbers:

Total plays by dayUnique plays
Friday (11 am – 7 pm)31 plays
Saturday (10 am – 6 pm)52 plays
Sunday (10 am – 4 pm)40 plays
TOTAL: 123
Total plays by deviceDevice plays
Fire HD 810 plays
iPad38 plays
iPhone X35 plays
iPhone 6S16 plays
MacBook Pro24 plays

So, over the course of 3 days at a cost of around $300.00, I personally introduced Where Shadows Slumber to 123 people. Even if all of those people purchased the game, the trip wouldn’t really pay for itself.

This isn’t an indictment of AwesomeCon, just something I’m going to start doing now to sate my own curiosity. I love going to shows, and I would return to AwesomeCon in a heartbeat. But they always tend to feel more impactful than they probably are. At the end of the day, my duty to the developers who built this game (as well as my duty to the studio itself) is to get the biggest bottom line we can each quarter. So this gives me a new goal for internet advertising and social media use: beat that time/cost return on investment!

Check Out Crescendo!

One of my favorite games at the Awesome Arcade happened to be on the next table over, Crescendo. I had never heard of it before, and without something like the Awesome Arcade it’s unlikely I ever would have. But the developer, Nate Largo, is very talented and he’s created something really polished and impressive. It’s a rhythm-based stealth platformer where you have to march in tune with the beat so that sound-sensitive laser robots don’t shoot your character’s face off. Check out his free demo here!

What’s That Strange iPad With a Keyboard?

This con was also special as it marks the first public test of a computer version of Where Shadows Slumber. Though we haven’t really announced it publicly yet or decided on a date, if you’ve spoken with us in the past few months we’ve probably discussed it.

Stay tuned for more news about that, and thanks again to Lexi and the MIVS crew for inviting us to D.C. for a great time!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.

Enjoy These 16 Awesome Blasts From Our Past

Since AwesomeCon 2019 is in just a few days, I wanted to do something different this week for our Tuesday blog post. This isn’t really an article – instead, it’s an awesome gallery of images comparing Where Shadows Slumber 2019 to Where Shadows Slumber 2017. The 2017 images are from the last time we went to AwesomeCon, which you can see in their original form in this ancient blog post.

These pictures are old! This is back when our character was essentially a bald Wii Fit Trainer with a lantern. For each set below, the top image is from 2017 and the bottom is ripped from the game as it is now on the App Store. If you haven’t purchased the game yet, please do so before reading the article. Otherwise, enjoy a trip down memory lane!


The Forest

The AwesomeCon 2019 build had an entirely different first Level, which proved to be just too much for testers. It was replaced with the walking tutorial below, which is now the game’s initial level.

On the other side, the second Level hardly changed. We did shorten the second rotating bridge to add another small puzzle, where players have to rotate the bridge while Obe is standing on it. The previous iteration just had two bridges with three blocks each.

This Level impressed us and didn’t really need that much alteration.

The Jail

I kind of prefer the old model I used for light towers here. It was more obvious what was happening. I regret covering the fireplace inside the tower so much…

This Level is so old, it was in our 2016 demo. We were pretty sure it would get into the game as is, it just needed an artistic makeover.

This Level didn’t change, but it probably should have. Those spinning draggables still give people a lot of trouble. Expect them to change in a future update!

Look at that old button! Circles were too hi-poly. We made this much more symmetrical, to my delight. It’s also now the fifth puzzle in the Jail instead of the fourth, though Jack and I discussed rearranging the order again in a future update. Stay tuned…

As I mentioned above, this is now the fourth Level in the Jail. Notice how the orientation changed entirely! I wasn’t happy with where those doors at the end led. Looking back now, I think the old design made it more obvious what you’re trying to do. Too late now… [<_< ]

The River

The big change in “Docks” is that the goal space was moved much further down the screen so that I could hide it and say that Obe was taking a different exit out of the Level. In the 2017 version, Obe lands on a magical square and the Level just ends, but it isn’t clear where he actually goes or how that gets him to the next Level. An old concept we had for this World was that Obe was trying to get his raft past a series of locks in the River, which we abandoned due to the difficulty of making it work across multiple Levels.

Another Level where we shortened a bridge from two spaces to three in order to prevent unwanted behavior from the Walker.

In this puzzle, the Walker actually used to be on the same pathways as Obe. He eventually ended up getting in your way more often than not, so we put him all the way at the top of the screen in his own private hell.

This Level went through too many changes to show in just this image, but one of them is obvious. The goal space moved higher on the screen and required you to get past yet another timing / Walker / shadow / bridge puzzle.

The Aqueduct

We knew this would be the second puzzle in the Aqueduct, meaning that our first Level was probably still in production and not ready for testing. This Level underwent a big change in orientation, as you can see from the position of Obe and the button below.

This Level lost some unnecessary blocks in Obe’s path as we streamlined it. You can see here that buttons didn’t have the functionality of being pressed down yet, as Obe’s legs are piercing through the ugly button as if it was a huge block of yellow Jell-O.

I need to explain this because it isn’t obvious from the images below, but in the 2017 version of this Level you could drag the torus whenever you wanted! (Hence, why it is slightly askew in the top image but perfectly aligned in the bottom one.) That change was made to make the puzzle more challenging.

I was never a fan of the crazy colors on this Level, but I ended up adding even more to the final version so that players could tell what was going on with the shadows. Note that we added the functionality for draggables to “go dark” when you aren’t allowed to drag them.


See You Soon!

Thanks so much for checking this blog out. It’s awesome to look back in time at how far the game has come now that it’s finished. I hope to see you this weekend for AwesomeCon 2019 [^_^ ]!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.

The Triumphant Return to AwesomeCon

Are you going to be in Washington D.C. next weekend? The Where Shadows Slumber Global Tour™ continues with a trip to AwesomeCon 2019. The lovely organizers of MAGFest’s Indie Videogame Showcase were nice enough to invite us to AwesomeCon once again. Why is it a triumphant return, you ask?

The last time I went to AwesomeCon, our game was still in development. Returning again reminds me of a few blast-from-the-past AwesomeCon moments, like this dorky video I took at the show:

Day 1 of AwesomeCon begins any minute now… I’m eager to show people the Alpha Version of “Where Shadows Slumber”!

And this crazy blog post I wrote upon returning from AwesomeCon:

What We Learned From Testing At AwesomeCon 2017

Look at those screenshots! The game was so early in development just two years ago, I can hardly believe it. We were still testing a lot of those designs and none of the art looked good yet.

This entire first Level was eventually thrown in the garbage!

I hope you enjoy that quick trip down memory lane. If you’re new to the blog, keep reading – our archive is full of embarrassing Where Shadows Slumber history like that.

AwesomeCon 2017 attendees testing the old alpha version of the game.

Most importantly, if you’re going to be in Washington D.C. next weekend, we can’t hang out because you need a badge to get into AwesomeCon. But if you’re at AwesomeCon next weekend, stop by the table and say hello! We have the full version of Where Shadows Slumber for you to play, and you can ask me war stories about the game’s development.

Here we come, Washington D.C.!!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.