Google is announcing their response to the Apple Arcade, something they call Google Play Pass. They’re promising developers that it will help them reach new users and get more money as a result.
“Google Play Pass is a new subscription service offering access to hundreds of apps and games, completely free of ads and in-app purchases. Play Pass provides a high-quality, curated collection of titles – with new content added regularly.”
You can read more of the details in their announcement, here.
Did Google Copy Apple?
I don’t think Google just copied Apple. Every platform is doing this these days, and Apple didn’t invent the concept. Besides, it’s different than the Apple Arcade. Apple’s subscription service was for entirely new exclusive games. They made sure that those titles did not appear anywhere else beforehand. Google seems to be taking a note from Xbox, and other console subscription services, since it focuses on existing products as well as new ones.
That’s what makes this so enticing to us… could Where Shadows Slumber qualify for the Google Play Pass? It seems like we could remain on the Google Play Store as we are now, but also attract a lot of new attention.
As far as money is concerned, we have no clue about how developers make money on Apple Arcade. Did Apple buy those games for a flat amount? Do developers get revenue for time played? (Wouldn’t that require a constant internet connection?) With Google they state pretty clearly that we would “earn recurring revenue from Play Pass users who engage with”Where Shadows Slumber if it was available through the program.
As an aside, I would happily be accepted into the program if offered, but I wonder what would make more money? People buying the game outright (in small numbers) or people finding the game and playing for a few hours, to the tune of some kind of fractional micro-payment (in large quantities)
As long as Google wouldn’t demand we take our game off the App Store, it seems like a no-brainer!
A few other things stand out for me. This announcement mentions that you can “highlight your app in a curated section of the Play Store with new featuring opportunities”, which is something Google Play definitely focuses on less. Opening the Play Store on my Pixel 3 always feels like a bland experience: same-y games in the “New Games” section, and some games “Recommended for me” that don’t look appealing. I have been hoping for Google to emulate Apple more here, in the sense that every good game gets its 15 minutes of fame eventually. (I still tell people about when Where Shadows Slumber was Game of the Day on December 10th, 2018) I’m looking forward to that as an optimistic developer, but also as a gamer.
It’s not clear how this integrates with the Google Stadia streaming technology. But it does make sense to have a library of prepaid games ready to go if you’re launching a streaming-only gaming platform. I suppose that although they haven’t announced a clear connection yet, it’s pretty obvious. And this makes Stadia more appealing to skeptics like me!
As far as actually paying for Play Pass – would I do it? I don’t know. I didn’t even subscribe to Apple Arcade yet, and that already launched. I guess I don’t game on my phone too much? Interested to hear your thoughts in the comments!
*Don’t* Sign Up Here
I shouldn’t mention this, but I will – you can nominate your game for the program here, and if Google likes it, they’ll accept you into the program… one day. That is, if they read your application. I can’t even imagine how many forms are being submitted at this very moment. It must be hell on Earth over at Google right now.
If you sign up, you’ll just make it harder for us to stand out. But you should do it anyway! If we hear back from Google and we’re allowed to talk about it publicly, we’ll announce the good news here. I really hope we get in! Where Shadows Slumber is perfect for the Google Play Pass.
Wish us luck! If you decide to sign up, good luck to you too!
Hello, loyal readers! If you’ve been following this blog for a while, you know I’ve been teasing a money post for quite some time. The fateful day has arrived! Spreadsheets, I summon thee!
If this is the first time you’re reading this blog, thanks for tuning in! My name is Frank DiCola, and I’m the CEO of Game Revenant. I was the artist and animator for Where Shadows Slumber, a premium indie puzzle adventure game that released late last year on the App Store and Google Play. We have a whole archive of posts going back two years if you want to take a look at our design process! However, this post is dedicated entirely to examining the financials of our launch window on the global mobile market.
Why put this information out for the world to see? Well, something that impressed me about Monument Valley back when it originally launched was how open the developers were about their income & expenses. Jack and I vowed to do something similar once Where Shadows Slumber launched. Of course, at the time, I hoped to also make as much money as Monument Valley, but as you’ll see below that didn’t exactly pan out. Even so, I expect this blog post will be really informative for indie developers who are just starting out. I wish I could tell you once your game hits the store, you’ll be rolling in money. But it’s probably better for you to hear the truth, in plain black in white.
This blog post will chronologically address the income and expenses related to publishing Where Shadows Slumber, covering the following:
Our pre-marketing budget
Our development costs
The revenue Where Shadows Slumber made
Our break-even point
The marketing effort going forward
This is going to be a dry one if you came here for art, programming, music, or other fun game design stuff. The part no one tells you about running your own indie studio is that you spend a lot of time examining old bank account statements and crunching numbers in Excel to get your taxes in on time. Read this post if you want to know what it’s like spending money to promote your game!
DISCLAIMER: The income and expenses here are 100% related to Where Shadows Slumber. Costs related to running a business (paying an accountant, office supplies) are not included in this post!
2016: The Early Days
If you’ve been following us for a while, you’ve heard us talk endlessly about how we started our development with a demo / vertical slice version of the game. Because that didn’t launch until late 2016, this year was mostly spent in heads-down development mode. And since Jack and I were working together on the game for free (well, for future revenue share) there were no salary-related expenses either.
In fact, there were so few expenses in 2016, I can just list them in a sentence: we paid for an IndieCade submission, bought a standing display banner, entered into the PAX East Indie Showcase, bought the Where Shadows Slumber domain name, and started an Apple developer license, for a grand total of $402.15 for the year.
2016 Expenses: $ 402.15
2016 Income: $ 0.00
With nothing to sell, and no ads in our (unexpectedly popular) free Demo, we didn’t pull in any money during 2016. That’s fine though, because we weren’t expecting to make anything that year! Things get exciting in 2017, though…
2017: Hitting The Road
This was the year we started to really spend money on the game’s development, as well as pre-marketing. We spent a few thousand dollars, so it’s worth going category-by-category to discuss where we allocated money. The largest categories by far were Contract Labor and Travel Expenses, as you can see below:
Our Advertising budget was mostly spent on physical stuff we hand out at shows, like drop cards and Where Shadows Slumber buttons. The reason Contract Labor cost us so much is because Alba and Noah came in during the end of this year to make the game’s audio (worth it!), but we also paid our friend Zak Moy to make the logo and got our Demo professionally translated into multiple languages.
The number you see quoted here for Events actually reflects event submissions, as the only event that really cost money was the original PlayNYC at Terminal 5. You can see how team Meals really stack up over time, but the big culprit for doing events is Travel Expenses – it’s hard to get hotels and train tickets for cheap! Between travel, hospitality, and then stuff like parking and Uber receipts, we racked up a small fortune in travel expenses. The totals for this year were:
2017 Expenses: $ 10,456.74
2017 Income: $ 0.00
Once again, we didn’t do anything that would generate income. The game would still need another 9 months of development before it was ready for prime-time, and Game Revenant didn’t sell anything related to Where Shadows Slumber like T-shirts or plushies. No income yet, none expected!
2018: Finally… Money!
2018 was the year we finished development and launched the game on the App Store, Google Play, and the Amazon App Store. Our marketing efforts before launch consisted of a ton of travel, as you can see below. Contract Labor and Travel Expenses dominate once again, making up nearly $12,000 of the budget!
The Contract Labor section is dedicated entirely to paying our hard-working musicians, and the other categories fall into predictable camps (internet ads and swag for Advertising, full game translation for Professional Services, and Event fees for spots at Play NYC and Gameacon) The reason we racked up so much in Travel Expenses is because in 2018 we went to MAGFest, SXSW, and PAX East. Actually, most of the cost is from SXSW because of the flights to and from Austin. Driving to shows is really important!
2018 Expenses: $ 15,105.04
2018 Income: $ 21,229.24
We finally had some income now that the game was made available to the general public! While it felt good to have income for once, the total amount was sort of underwhelming. Premium games are a dying breed, and we knew that going in. Lots of people told us to fill the game with scummy ads and videos instead of charging up front, but we didn’t want to do that to you. Integrity comes at a steep cost though – our income from 2018 left us still at a deficit, meaning the game cost more to make than it made in revenue! I’ll talk more about that in the next section, but first let’s examine some details about the launch.
We launched on iOS on September 20th and then on Google Play on November 20th of 2018. I expected the App Store to make more money than Google Play, but since we released two months earlier on the App Store these numbers are a bit skewed. Apple got a head start, no fair! Even so, my gut tells me that Google Play will continue to under-perform the App Store as time goes on. As you can see in the Tasty Circle chart above, iOS dominated our sales and it wasn’t even close.
But what really disappointed me was the abysmal performance we had on the Amazon App Store – I knew it would be bad, but I didn’t think it would be that bad. The number shown there is from two sales, one of which is me. (I needed to get the game onto our Kindle and that was the quickest way)
The area graph above gives you an idea of the bumps in sales we got, as well as their impact. Don’t be mislead – although the line is hugging the bottom of the graph and sales are poor, we get a tiny amount of money each day. I don’t think we ever had a day where no one bought the game, which is good.
We hoped the buzz from Launch Week, where we were featured on top of the Games Tab, would extend forever. But once we left that prime-time slot, sales plummeted and never recovered. We were able to boost sales with events like the Halloween Sale and Cyber Monday, where the game was offered at a discount. Then we got surprised with the Game of the Day announcement in early December. Kudos to Apple – they really did a lot to promote our tiny indie game, and I’m sure they’ll include it in a few articles sporadically throughout the coming year. But it’s really hard to get eyes on the game without them holding our hand, as much as I hate to admit that.
(There isn’t enough interesting data to show from Google Play yet, so I’ll have to put a chart up for that sometime later this year once there’s more to see.)
2019: Break Even, Break Out
Starting on January 1st, 2019, Where Shadows Slumber needed $4,734.69 to hit our break-even point. It doesn’t pay to list that number in terms of “units required to break-even” because sometimes the game is on sale, and other times people buy the game in other currencies that don’t convert neatly into $5. Here’s a better way to put it into perspective: Apple is going to send us $2,764.77 on January 31st, and Google already put $879.87 in the company account on January 15th. So we’re already down to just $1,090.05 before we break even, which I predict will be reached by the end of February.
Of course, breaking even is pretty lame since sales are just barely trickling in at this point. Ideally, we would have broken even a long time ago and found a nice rhythm where our daily sales can lead to a good projection for each quarter’s revenue. We’ll break even without any extra effort just because people are randomly finding out about the game – but in order to break out of this slump, it’s going to require more effort. One cause for optimism is that we haven’t launched in China yet, though a publishing deal has been in place since 2017. (Not their fault at all, obviously!) Now that the blockade on new government approvals seems to be ending, we’ll get up-and-running in that country hopefully by Q3 2019.
As far as the rest of the world is concerned, I recently told the team my plan to re-invest the money Where Shadows Slumber made back into marketing so we can escape the doldrums. Only this time, that money won’t have to be paid back to the company. Game Revenant isn’t in debt or danger of bankruptcy, so we can use this money to boost the game. Then, each quarter’s revenue will go directly toward profit sharing so that everyone (including myself) can finally get some money in their bank accounts.
So, if you haven’t purchased our game yet, please do so! Hopefully our next financial report will be a bit more exciting. For those of you who are already super-fans, be on the lookout for some related merchandise coming from us in the coming weeks…
Merry Christmas, everyone! Instead of the usual Tuesday blog post, since today is Christmas, I don’t have too much for you. (My family is going to be here in about an hour) I guess that’s sort of underwhelming for the last blog post of 2018… sorry!
But Where Shadows Slumber is on sale for Christmas until New Year’s, so I wanted to take a second to let everyone know about the upcoming deals. We’re offering the game for just $1.99 USD (or regional equivalent) for two weeks! It’s a little different for each platform though, so pay attention:
App Store (iOS) Christmas Sale: December 25th – January 6th (link)
Google Play Christmas Sale: December 27th – January 3rd (link)
Amazon App Store Christmas Sale: December 22nd – January 6th (link)
That’s going to be it for 2018, so take some time to play our game and relax! We’re heading to MagFest 2019 next weekend to kick off the new year, so I’ll see you all on New Year’s Day to give you some updates about it.
We want to extend a very hearty “thank you” to all of you Android gamers who patiently waited for our game to launch on your platform. It’s a shame we couldn’t do the App Store and Google play at the same exact time, but this strategy was a bit easier on our small indie team.
Note: If you get a strange message that the game needs to access the storage on your device, you can press “Deny” and the game will still work. We’re looking into why that false alarm is being triggered.
We Need Your Help!
First and foremost, grab a cup of tea and curl up on the couch with Where Shadows Slumber. You’ve waited a long time to play this, and we spent a long time working on it. You deserve to savor the moment.
When you’re done with that, go leave a 5 star review on the game’s store page! Look at it right now. One review?* Get in there, people! Let’s make this as popular as Monument Valley so Jack can retire and fulfill his lifelong dream of replacing author Stephen King and taking over his life without anyone noticing o_o. That’s a secret, but you read these blog posts for inside information, right? We trust you.
Seriously, go leave a review and share this link with your friends:
It’s always good to share some beautiful artwork of the game with your friends, instead of just shouting at them. Here’s the YouTube link to our promo video. Check it out, and share it on Facebook or Twitter! You can also boost our original post if you want to see how many Shares we can rack up on that bad boy.
Amazon Is Happening!
As we speak, our game is chugging along in Amazon’s review process. It’ll be there for another day at least, so if you have a Kindle… just wait longer! You’ve waited all this time, what’s one more day? If you want, you can keep furiously scanning the store page. It may randomly show up sometime during the evening!
Don’t worry – the game is coming to the Amazon App Store. I can’t promise that anyone will actually buy it there, considering it’s the smallest market, but it’s coming! Maybe we should have a stretch goal if we sell 10 units?
Thank you for your patience, Androids of the world. Your time to rise up and take your rightful place is finally here! We hope you enjoy the game [ ^_^]
Patch 1.0.5 is out on the App Store right now! Here’s a quick look at what that means, plus an update on our upcoming Android release.
What’s In This Patch
These changes are available right now to anyone who has Where Shadows Slumber on iOS. Go to the App Store and re-download the game if it doesn’t automatically update.
We’ve gotten a lot of feedback over the past month about our draggable touch control scheme. For the uninitiated, draggables are those glowing square pieces in the game that you can move by dragging them with your finger. (Hence, the shorthand “draggable”) It wasn’t clear why some people didn’t like the way we had it set up, but it seemed like everyone had a different understanding of how these objects should move under their control.
I’m not entirely sure what Jack did to rewrite it, but they feel great right now. Give it a shot! I’d say that’s worth buying the game over, if you haven’t already 😉 In particular, those draggable pieces that rotate have been made much smoother. If you gave us a review that mentioned this issue, we ask that you try the game again and reconsider your review.
This “fix” didn’t really address a bug, but rather addressed something I screwed up when I first uploaded Where Shadows Slumber to iTunes Connect before our iOS launch. I assumed that Apple would recognize the language options in our game (we have 11 languages besides English you can play the game in) but that’s not how this works. In Xcode, you need to manually set which language options are in your game. Otherwise, your game will only show customers that “English” is an option.
I had a feeling this was hurting our sales. Also, it really bugged me. So I changed that too! Now it properly shows the language options on the App Store when you go to see the game’s page. Let’s hope the Germans in Germany and the Japanese in Japan don’t feel left out anymore…
This patch also fixed some small visual errors in a few Levels – the kind of thing we would notice, but players probably never saw. The big thing in this patch was the draggables. No other patches are planned at the moment, but we’ll see if anything else breaks I guess!
Prepare Yourselves For Android!
At this point, Jack has tested the game on dozens of Android devices using a simulator service we got from Amazon Web Services. Along with the positive feedback we got from our free beta, we’re happy to report that the game is ready for prime-time and has received the “green light” – Where Shadows Slumber is launching on Android November 20th! Of course, you can still sign up for the beta right here, as we’ll be updating it on launch day to direct everyone toward the full release. That’s a good way to make sure you don’t miss out on the day 1 insanity!
So far, 3,833 of you have graced our beta with your presence! We hit our cap a few times and had to keep raising it, so it’s at 5,500 now. I doubt we’ll get that many people, but we’ll see…
Supanova Brisbane, Here I Come!
I’m writing this blog post from the rainforests of Mt. Ommaney, Brisbane, Australia. The screeches of exotic birds outside my window was soothing, until a local told me that was actually the sound of two possums fighting each other on the roof. Easy come, easy go I suppose.
The Australians I’ve met on my trip so far keep asking me: why did I choose Adelaide and Brisbane to visit instead of Melbourne and Syndey? The answer is Supanova, of course! Supanova is a comic & gaming convention series native to Australia, and they allow game developers to show off their work in the Artist’s Alley. I just came from Supanova Adelaide this past weekend, and I’m heading to Supanova Brisbane on Friday. Here’s the address:
Brisbane Convention & Exhibition Centre (BCEC)
Merivale St, South Brisbane
If you’re reading this and you’re coming to the show, the first thing I want to say is “what are the odds of that? Wow!” The next thing I want to say is “come say hi to me!” I’ll be in the Artist’s Alley. You’ll recognize my table because it will have a bunch of mobile devices running Where Shadows Slumber. If you’re in line to get Dean Cain’s autograph, you’ve gone too far.
Where Shadows Slumber is now available on Google Play through their BETA program. This free download allows you to play the first seven Levels of our game. We haven’t updated this thing since March, so if you played it back then you’ll definitely want to give the BETA another shot!
Remember that the purpose of this test is to help us with our upcoming Android launch. If you were hoping for more than seven Levels, we’re sorry! The team is more focused on solving hardware problems than providing a fun experience. (You’ll have to buy the full game for that…) There are 2,500 Android devices in current use, across six different functioning operating system versions. A ton of people still use Android 5.0, but Google is already up to version 9.0! There are so many combinations to test, we can’t possibly handle this on our own.
The BETA will allow you to see if the game runs on your old phone, see how well it performs, get a sense of the game’s controls and puzzles, and experience a tiny snippet of the game’s story. That’s all you need right now!
When you complete the BETA (which should only take 10 minutes) be sure to fill out the survey in the app description. For your convenience, here’s the link:
Currently, we have 3,275 people enrolled in the Google BETA, which is awesome! There’s just one problem: Google doesn’t let you let people download your BETA for free if your game costs money. Our game will be $4.99 on Google Play, just like it is on the App Store. So the way we handled this issue was by splitting our game across two store pages. It’s not ideal, but it means that when the full game launches on Android, the BETA will still be hanging out and it will still be free. I guess it will serve as a kind of extra demo until we take it down? This is in addition to our current Demo, which has been on the store since 2016. How confusing!
Our hope is that having three different entries on the Google Play store directing people toward the full game will be better than having just one. It’s a shame we can’t bring all the BETA people directly over to the final game later, but we assume that those who care will follow our prompt when the game launches. We’re thinking of updating the BETA one last time with something that says “ok, the game is out, go buy it!” Whether it will still be playable at that point is still up in the air.
Stay tuned for more news about our upcoming Google Play release. I can’t promise a concrete date just yet, but we are certainly striving to get the game on Android before 2018 ends. That’s all I can say right now!
As the completion date of Where Shadows Slumber draws near, Jack and I are coming to terms with just how much work it takes to finish a game. This means we’re revisiting old tasks that we didn’t have to deal with for a while, including the game’s app icon.
It may seem like a small detail, but your game’s icon is very important. It isn’t exactly the same as your game’s logo, but in certain contexts it plays the same role. The app icon is the rounded square button on your customer’s phone menu that they have to press to start playing your game. More importantly, this icon is on prominent display on marketplaces like the App Store and is often a potential customer’s first impression of your game.
Viewed through that lens, the app icon is immensely important and I regret not working on it sooner. It’s just a small graphic, though… how difficult could it be?
Fortunately, I’ve been researching this topic for a little while now. Below, I’ve compiled a gallery of some of my favorite app icons. We’ll also discuss in this blog post my personal “do’s and don’ts” for these graphics, inspired by both previous iterations of the Where Shadows Slumber app icon.
I played a lot of mobile games during the creation of Where Shadows Slumber. That’s not because I’m lazy! I wanted to see what successful mobile games did. I spent a long time looking at their store listings, reading reviews, poring over their descriptions, and – of course – checking out app icons. It wouldn’t be a Where Shadows Slumber blog post if we didn’t gush over Monument Valley, so let’s start there.
The app icon for Monument Valley is really beautiful and shows off what the in-game art looks like. When you look at the icon on your device, the scale of Ida here probably matches her scale in the game. That makes this graphic one of the most honest app icons in the business! From a distance, you can clearly make out her shape because her white body contrasts starkly with the green backdrop. I also love that this picture shows the isometric angle and color shading that they use in the game. Sadly, this image does not communicate the game’s M.C. Escher inspired puzzles… but how the heck could you even show that? Maybe I shouldn’t worry too much about showing “shadow puzzles” in a tiny square image. It would just never fit!
The app icon for Monument Valley 2 was constrained somewhat by the first. The artist likely felt the need to match the style of the previous icon. Now that they’ve got a pattern established, expect to see something like this if they ever make Monument Valley 3. Still, the fact that this icon communicates the relationship between a mother and daughter tells you a lot about the game’s story and mechanics.
The real reason I bring up Monument Valley 2 is because of something I noticed when I was in an Apple Store the other day, getting a new iPad for my Dad. On their demo devices, the game is labeled simply as “Monument 2,” because the name is too long. Notice also that the game Alto’s Odyssey is just named “Odyssey.” I’ve wondered what Jack and I should do with our lengthy title Where Shadows Slumber… should it be listed as “Slumber,” “Shadows Slumber,” or “Shadows?”
Speaking of Alto’s Odyssey, both games in the Alto series have very beautiful app icons. However, it seems to me that the original is better because it actually communicates the mechanics of the game. Take a look at the icon above, and then look at Alto’s Odyssey below. Remember that these games have identical gameplay: both are side-scrolling snowboarding simulators. Notice anything?
Alto’s Odyssey doesn’t have an image of a dude flipping over a windmill like the first game did! That’s pretty important because the whole game is about jumping over stuff, getting airtime, and doing tricks. But when I see the icon above for Alto’s Odyssey, I imagine a different game where I can actually go into some of those ruins or fly in that hot air balloon. It doesn’t set up expectations the way you might expect. Even so, the image is gorgeous and communicates the art style faithfully.
Of all the games I researched, my favorite app icon is probably the one for Prune. Look at this beautiful picture! Since I played the game, I happen to know that this app icon is actually a perfect rendition of what every Level looks like, too. Now that’s honesty! Prune is a game where you swipe away branches from a tree to help it grow the right way. I think you wanted to avoid the big red suns because they killed your tree. It’s a beautiful game, and the simple nature of this app icon does it justice.
We’ve looked at a lot of great artwork, but I don’t feel like comparing them to a list of “bad examples” in this blog post. I feel uncomfortable putting down other people’s work besides my own. There is no point in searching the App Store for apps that performed poorly and then ripping their icons apart. Instead, let’s just criticize the two icons I made earlier in the project cycle!
Learning From My Mistakes
If you’ve ever played our free iOS Demo before, or if you are one of our beta testers, or even if you’re just a diehard follower of this blog, you’ve seen one of our app icons before. We aren’t going to use either of these for the final game’s release, so I’d like to write about them in this space.
Our first app icon was created just for the Demo. I whipped this up in Adobe Illustrator over a year ago. The idea was to show a silhouette of Obe in a doorway, with the lantern clearly visible. Looking back on it now, this fails for a variety of reasons:
This image is very detailed, so the intricacies are hard to make out at small sizes
This icon requires pre-existing knowledge about what Obe looks like
The lantern looked weirder back then, so it’s not immediately recognizable
This looks like an icon for a horror game, almost like Amnesia for mobile phones
This doesn’t really look like the art in the game at all
This doesn’t really look like an app icon for a mobile puzzle game
This is misleading because Obe’s body never actually casts shadows
I’m not saying I hate it or I regret making it – it seemed cool at the time! Our Demo drew in over 310,000 free installs on Android alone, so we did something right. But I wouldn’t go for this kind of style for the final game. It’s too much of a departure from the real game’s art, tone, and genre.
Our next app icon was made much faster and was basically an unofficial app icon. I just did this for the beta, and I didn’t put much effort into it. This one fails on two levels – first of all, it’s not very unique or inspiring. It’s just text. Anybody could make this, and it tells customers nothing about our game. Second, it includes English text. That means I’d need to make a different app icon for every language we release the game in! Why bother doing that when I can just create a cool image like ustwo did?
So for the game’s final icon I need one square image that contains no text, but communicates the following to the player:
The game’s reflective tone, with some ominous terror looming in the periphery
The game’s crisp light shading model
The importance of the lantern to the story
The idea that this is a puzzle game and not some other genre
The idea that this is a mobile game
A warning that this game is not for preteen children
Yikes! Wish me luck. I’ll take a shot at this during the week, in between animating the game’s remaining cutscenes and putting out other fires. Jack and I have spoken about our app icon informally in the past, so I have a pretty good idea of what we want. This analysis helped me crystallize my plan going forward.
We’ll have some exciting news to announce in the coming weeks, so stay tuned to this blog and thanks for reading!
We hope you enjoyed this update about the game’s graphic design. Have a question about aesthetics that wasn’t mentioned here? You can find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebook, itch.io, or Twitch, and feel free to email us directly at contact@GameRevenant.com.
Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.