Patch 1.0.10 Notes

After PAX East this year, Jack and I spent the entire car ride taking a critical look at our game based on the feedback we received. It may seem weird to continue iteration on a game that’s already been released, but we wanted to make the game as perfect as possible before it heads to new platforms later this year.

Many of these changes are substantial – altering the solutions to puzzles, the artwork, and even the order in which you solve puzzles. Some changes are so small you wouldn’t notice unless I told you, which is precisely the point of this post!

Here’s all the changes you can expect in the latest patch, which we hope will go live sometime early next week:


10 Artistic Changes

Some of the design problems with Where Shadows Slumber are actually just bad artistic cues – which is to say, these are things I made that looked cool to me but ended up communicating the wrong ideas to our players.

Most of these fixes are focused on the beginning of the game, since that’s the “make or break” period for gamers. If players aren’t impressed after the first five minutes, or the game is frustrating, we’re destined for a 1-star review. So here’s a visual walk-through of all of these changes, with the old versions on the left and the new versions on the right.

The Forest Levels

Forest Level 2, “Bridge”

This is the player’s first interaction with the design pattern we use for Draggable objects, but sadly it’s on two Non-Draggable objects that appear Draggable. (The ancient, crumbling bridges in the water) We decided to cover them with moss so they don’t look interactable.

The Jail Levels

Jail Level 1, “Light”

Before we changed this puzzle, it was very difficult for players to tell when the bridge was being repaired by the shadow. Now the bridge is much longer, which gives you more space to explore and see what the shadow is doing to the bridge.

Jail Level 3, “Lock”

This Level badly needed clarity and simplification. My earlier attempt at color-coding the different gaps in the bridge with really dark, indistinguishable colors and incredibly small little gemstones did not work. The new version has bold colors, big pieces that still connect the bridge even when it’s broken, and one fewer draggable light source.

Jail Level 5, “Pressure”

Similar to the puzzle I just mentioned above, 1-5 needed a lot of color to clarify what’s going on with different shadows affecting different objects. I like how it turned out!

The River Levels

River Level 1, “Docks”

The corner of the land mass above is not traversable. As you can see in the old version, it’s not clear that there’s a gap in the walkway. (We put a gap there because we only want players to see this shadow illusion in a specific way) This fix makes the gap more obvious.

This Draggable raft was giving players a lot of trouble, too. The square pieces are halfway into the water, so it’s not obvious that you can drag them. We want to try the new design, where the Draggable squares lie on top of the surface so they’re visible.

River Level 3, “Guide”

This Level featured a large tree that had some kind of light inside of it, and you could close the shutter to hide the light. This shadow was used to change the bridge in the center. Ultimately, this puzzle had too many elements going on in it. We can keep the same design without requiring players to figure out what’s going on with the tree.

River Level 4, “Ebb”

The shadow-casting wall in this Level is really big now, because it was awkward how you could shine your light as you walked down the steps here. Some people accidentally solved the puzzle on their way down the staircase!

The Hills Levels

Hills Level 5, “Rest”

This Level received a huge change, as well as numerous small ones. The most noticeable change is that the center island is no longer one big draggable, but instead is a platform with a draggable pillar on it that slides freely. We feel that this will allow players to more easily solve the puzzle, though the solution remains the same. There are also a bunch of small changes to where pillars come up to stop you along your path.

The Summit Levels

Summit Level 2, “Blind”

This one is super subtle. Can you see it? We added some footsteps for the invisible ghostly Knight who is patrolling around inside the shadow realm. (If you’ve never played the game before, I’m sure that made no sense at all.) We hope this helps players determine where he is as they try to solve this difficult puzzle!

Six Design Changes

Not everything we’re changing in this patch has to do with artwork. One of the largest changes is really subtle – you’d only notice it if you played the game a lot. New players would never even realize what we did.

These changes were made based on lots of user feedback with the final product, as well as in preparation for a future version of Where Shadows Slumber that’s free to download and has paywalls interspersed. Here are six non-aesthetic changes happening in Patch 1.0.10…

No More Riding Draggables

The largest change, and one that spawned a whole bunch of other changes, is a clarification to the way draggable objects work. Obe can no longer stand on these while they move, so a few puzzles had to be updated. Now you’ll always see the image above when Obe is standing on a draggable bridge, and we hope this is less confusing.

Forest Level 3, “Monolith”

The draggable pillar now begins raised out of the water instead of submerged. We felt like it was not obvious that it could be dragged, since it was so well hidden by the rock and moss.

World 1 Order of Levels

We’re rearranging this World in order to make the introduced mechanics flow better. (The actual screen won’t look as it does on the right, that’s just a diagram I made to show you how the puzzles are moving around.) The previous section used the old World 1 numbers.

River Level 3, “Guide”

In this Level, you used raised walls to cast shadows on the center bridge. This involved “dipping” the center in shadow briefly either by letting the walls go up and down, or by walking Obe in and out of the corner to see the change. In the end, it was a relic of a way shadows used to work very early on in the game’s history. We eventually changed the walls into pillars you can walk around, to be more consistent with the rest of the game.

Title on Device

We’re changing the build name from Shadows to Where Shadows Slumber. I chose “Shadows” because I knew it would fit nicely on everyone’s phone screens. But it seems like poor branding to have everyone refer to our game as “Shadows” from here to eternity. We also considered “WSS” but that seemed to cryptic. Let me know how it looks on your phone screens!

Paradise Level 5, “Gates”

Last but not least, the most difficult puzzle in the game just got a whole lot less tedious. Now there are doorways to any of the four colors in this puzzle, available from any color area. No need to keep going back to the yellow zone!

Coming Soon To A Phone Near You…

I had hoped to get the patch out already, but there are still some tiny fixes left to do and a lot more testing. But once it’s all ready and this patch is uploaded to the App Store and Google Play, you’ll get a push notification to notify you that it’s been downloaded. Please try it and let us know what you think of the alterations!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.

Where Shadows Slumber Accepted Into CT FIG 2019

I am happy to announce that Where Shadows Slumber has been accepted into the 5th annual Connecticut Festival of Indie Games (CT FIG), which is taking place within ConnectiCon XVII this July! They have an indie showcase of board games and video games that were offered at a discount to those who applied early and submitted the game to their judges. The show is in Hartford, CT next month (July 12th – 14th) at the Connecticut Convention Center.

I’ve never been to ConnectiCon before, but I went to a CT FIG event back in 2016 during the Mr. Game! years and met Jason Miceli of Geek Fever Games. The event was quite small, and very board game focused, but apparently their offerings have expanded to digital games as well! (There’s not many of us, but we’re growing…) I’m glad to hear they have connected with ConnectiCon to reach even more people! I wish Jason the best as they expand the CT FIG brand.

That’s Jason in the middle, next to his game Dead Man’s Doubloons,
which I playtested years ago!


Find out more about CT FIG here.

Find more info about ConnectiCon here.

If you live in the area and want to purchase tickets, go here!

That’s all for now – but stay tuned to this blog for upcoming posts about a design patch for Where Shadows Slumber, news about our PC port, and a look inside our insane new digital ad strategy.

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.

The Triumphant Return to AwesomeCon

Are you going to be in Washington D.C. next weekend? The Where Shadows Slumber Global Tour™ continues with a trip to AwesomeCon 2019. The lovely organizers of MAGFest’s Indie Videogame Showcase were nice enough to invite us to AwesomeCon once again. Why is it a triumphant return, you ask?

The last time I went to AwesomeCon, our game was still in development. Returning again reminds me of a few blast-from-the-past AwesomeCon moments, like this dorky video I took at the show:

Day 1 of AwesomeCon begins any minute now… I’m eager to show people the Alpha Version of “Where Shadows Slumber”!

And this crazy blog post I wrote upon returning from AwesomeCon:

What We Learned From Testing At AwesomeCon 2017

Look at those screenshots! The game was so early in development just two years ago, I can hardly believe it. We were still testing a lot of those designs and none of the art looked good yet.

This entire first Level was eventually thrown in the garbage!

I hope you enjoy that quick trip down memory lane. If you’re new to the blog, keep reading – our archive is full of embarrassing Where Shadows Slumber history like that.

AwesomeCon 2017 attendees testing the old alpha version of the game.

Most importantly, if you’re going to be in Washington D.C. next weekend, we can’t hang out because you need a badge to get into AwesomeCon. But if you’re at AwesomeCon next weekend, stop by the table and say hello! We have the full version of Where Shadows Slumber for you to play, and you can ask me war stories about the game’s development.

Here we come, Washington D.C.!!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.

PAX East 2019 Recap

The show was a full week ago, but PAX East seems like yesterday! Jack and I are still exhausted from our travels to Boston, but I didn’t want to let too much time pass without recording our thoughts on the trip.


Day 0: The PREGAMER Show

This year’s PAX began differently than in recent years. I’ve never made it up to Boston a day early for Playcrafting’s PREGAMER party, but I’m glad I went for it this year. (The regular fee was included with our booth) Dan got a bar at the convention center hotel and covered the whole room in indie games! It was a nice way to start the show – essentially like a Spring Play esque Playcrafting event in a different city, the night before PAX East!

My strategy was to leave the iPad playing our trailer, and put our sweet MOO cards out to attract people over.

Your setup is pretty simple – two bar tables pushed together with a chair for each one, and a power strip behind you. I was next to an adult party card game (similar to Cards Against Humanity) so I don’t think the games are sorted into categories, it’s kind of a free for all. The event had a lot of people in it, but not too much traffic – meaning that I didn’t see too many people at the table as the night went on. Maybe that’s my fault for not bringing my cool Where Shadows Slumber banner? In any event, the people that played it really enjoyed it. One dude even bought it in front of me!

I got to chat with some young developers who are basically where Jack and I were at two years ago – they just graduated college and have a beautiful demo of a promising indie game, with a lot of work ahead of them.

(This wasn’t taken at PREGAMER, it’s just a sweet photo)

Next year, if you’re going to be in town for PAX anyway, you ought to at least show up to the party before the real convention begins! Also, if you happen to be at PAX but you couldn’t get a booth, this is a nice way to still represent your game and maybe get some media attention before the news storm hits.

Days 1 and 2: Showtime!

When the show began in earnest, I was shocked at how busy the event was from the moment it started. In recent years, Thursday has been a terribly slow day. Almost one of those days that makes you say “man, why does PAX even start on a Thursday anyway?” But this year Thursday felt more like a Friday, which was great!

It’s hard to quantify crowd sizes. Every year, Where Shadows Slumber has been at different spots on the show floor. (PAX East Indie Showcase in 2017, Indie MiniBooth in 2018, now Playcrafting in 2019) You don’t just want “a lot of people at the show”, but rather “a lot of people who come to your table excited about your game, eager to engage.” It would do us no good if 1,000,000 people came to PAX East but only cared about Roblox.

I can’t put it into hard numbers, but we felt busy all through the show. Tons of people remembered the game from last year’s spot at the Indie MiniBooth. A few diehards remembered the demo days, which is always heartening. And we bumped into some old friends from Stevens, too! There’s a suprising amount of them that either live in Boston or make the journey north just for PAX. The more of these shows I do, the more I look forward to just making connections with devs, industry people, journalists and old pals.

Our placement at the Playcrafting booth was perfect, too! We were facing out toward the aisle near a corner, with nothing in front of us. And since we were next to the Bose AR-cade (also run by Dan) we got a lot of spillover traffic from them, too. Jack joined the fun Thursday night, which was just in time, because I was already feeling tired. PAX East is a marathon, not a sprint!

Left to right: Jack Kelly, Kati Nawrocki, Adriano Valle, and Dan Butchko.
(I took this from the podium!)

Day 3: How Our Panel Went

Before we even had a booth at PAX East, I took the liberty of submitting a few panel ideas to the show just so we could talk about Where Shadows Slumber. This would be a special PAX, since it’s the first time our game is available on the market for sale instead of just as a demo or beta download. Some of my more selfish ideas didn’t fly, such as an entire 1 hour lecture on the greatness of our game, how beautiful it is, and how handsome the developers are. However, our panel “How Much Do Premium Games Make” was accepted!

It was scheduled for 1:30 pm on Day 3, Saturday. We didn’t get to pick the time, and I wouldn’t normally miss the busiest time of the show to do a panel, but we ended up getting a great crowd! Here’s a shot I took from the podium of them coming in:

Like lambs to the slaughter!

The panel was a fantastic success! Jack and I were joined by Dan Butchko of Playcrafting, Kati Nawrocki of Dots, and Adriano Valle of OrcPunk. (Though, to be honest, I know all of them through Playcrafting!) It was a frank and honest conversation about how difficult it is to be a premium indie game in a crowded marketplace. We talked about changes in consumer patterns, and new business models that can appeal to today’s phone gamer. The short version is that free-to-play isn’t just a “good idea” – it’s a requirement on mobile. Or… don’t focus so much on your game making money!

A line of questions… for us?!

I want to thank our fellow panelists, everyone who came to the panel, those who asked questions, and Matt our theater manager for making the event so successful! We’ve all leveled up and become “game devs who do panels sometimes” which I’m sure is just a few steps from “game devs who are incredibly successful and happy.” So close!

BONUS: I think Night 3 was when we got to try an awesome party bluffing game called Pluck Off! that is still in development. It’s a card game, so don’t expect to see it at too many video game events in the future, but if you can get a print & play it’s totally worth it. (Warning: don’t play with Jack, he’ll destroy your face)

Day 4: An Exhausted Success!

By the time Day 4 rolled around, I had basically checked out and spent most of the day collapsed in a chair in the back of the booth. This ended up being a mistake, as I actually missed a lot of people who planned to stop by the table but hadn’t scheduled a time. (Sorry people!)

We can call the weekend a success though, because we nudged so many people to buy & review our game that it brought our Apple rating up from a 4.4 to a 4.5! This may seem insignificant, but it brings us past the threshold that Apple uses when deciding which games to feature. Some games, like our muse Monument Valley, are featured at least once a week. If we climb the ranks, Apple might give us at least a feature every month. Bring on the Today tab, boys!

Me during day 4 of PAX East (Dramatization)

I don’t know about Jack, but I’m still recuperating from the weekend. I have no idea how some devs did three shows back to back in March… (This is the SXSW / GDC / PAX East Trifecta, sometimes called March Madness or dying.) I’m hoping to get back on the wagon soon though, because we have a lot of little changes to make to the build in response to your wonderful feedback. Jack and I spent the entirety of our 4 hour drive back to Hoboken planning what we can do in the short & long term to improve Where Shadows Slumber. I’m excited to put the plan into action!

Thank you to everyone who visited our table, bought our game, gave us a review, or attended our panel! You helped make a good PAX great. Wish us luck finding the energy to keep going!

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Where Shadows Slumber is now available for purchase on the App Store, Google Play, and the Amazon App Store!

Find out more about our game at WhereShadowsSlumber.com, ask us on Twitter (@GameRevenant), Facebookitch.io, and feel free to email us directly at contact@GameRevenant.com.

Frank DiCola is the founder of Game Revenant and the artist for Where Shadows Slumber.